Everyone's voice is unique, which builds the artistry and fun of singing. Each voice has its own unique sonic characteristics that make its voice different from others. Many bands have similar instrumental configurations and the same style, but their songs sound a lot of distinction, which is one of the reasons - the difference in lead singers distinguishes the two. From male to female, from rough to smooth, from darkness to brightness, the indicators that look at different voices are almost endless, and none of them are the same. So this also means that no single microphone can completely capture these differences.
Each microphone has its own frequency attribute. It should be noted that each microphone has its own unique frequency attribute, and it is very important to realize this. This frequency attribute mainly refers to the frequency response, but fundamentally, regardless of how straight the frequency curve described in the microphone manual is, each microphone will still apply its own frequency attribute to the audio of its pickup. . Therefore, without knowing the characteristics of the microphone, it is obviously a blind idea to think that a microphone is "best" because you don't know what factors you have made the sound change. It is the frequency property of the microphone. Still other?
The secret lies in the perfect final goal of matching, we all try and hope to get a vocal to kill everyone. The sound we want to record is the same as our real voice – even better. The secret of excellent recording: instead of picking a good microphone, pick a match that is very good for the sound. The best match is the best.
For example, if you have a female voice vocalist with a bright tone. So many traditional condenser microphones may not be suitable for her (because such microphones often bring a little excessive high-frequency tones). What we need is high frequency cuts, so you should choose a tube microphone that is dark and warm with high frequency roll-off. Or, dynamic wheat and aluminum strip wheat are also feasible.
The reverse is also true: a full, warm and low-pitched male voice, if there is no microphone with a certain brightness to open the scene, I am afraid it is difficult to give him too much "face to care" in the mixing process. Therefore, a more bright microphone is the perfect match for this voice. In fact, all this is to choose the right microphone & vocal combination.
Easy Dual Microphone Test If we have most types of microphones and enough time, we can find the best microphone for each type of sound. But who has such time and money? So let's take a simplest experiment - a two-microphone comparison test.
To complete this test, all you need is two microphones that are different in listening. They can be of different types, such as condenser wheat and dynamic wheat. Or two microphones of the same type with different frequency responses. Whether it's a borrowed microphone or a buy, we need two microphones to complete this test.
Place the two microphones in a similar sound field position and connect the two to the two front-end ports of the audio interface, respectively, and the two front stages should be identical. Next, through the operation of the workstation, start recording two separate single track tracks at the same time - you can sing a short phrase.
1.) Application: What sound do you want to pick?
When choosing a microphone, the most important criterion is the application needs. Are you talking, singing or playing an instrument? Dynamic microphones are often used for loud vocals, guitars or drums. Capacitive microphones are natural and delicate, so they are more suitable for acoustic instruments such as guitars, brass instruments, or for picking up drums or crisp vocals.
Recording studios in particular require natural sound reproduction, so condenser microphones are more suitable for recording. If you prefer a condenser microphone, it's important to remember that your mixer must be able to provide phantom power to the microphone, otherwise you will need to purchase a condenser microphone that uses a battery because the capacitor component requires a power supply.
2.) In which environment do you want to use the microphone?
Is it for the stage, conference room or recording studio? The use environment affects the directionality of the microphone. The omnidirectional microphone has the most natural sound reproduction, however, it has the highest sensitivity to echo, so it is best for small PA recordings or speeches.
On the stage using a loud PA and monitor system, omnidirectional microphones are generally not used, only heart-shaped or super-cardioid microphones are used. These unidirectional microphones only pick up front-end sound, isolate unwanted non-axis sounds and ambient noise, thus minimizing echo.
3.) Microphone sound: Do you prefer natural sound or optimized sound for specific applications?
Depending on the microphone used and the environment in which it is used, decide whether to use a flat frequency response or a specific frequency response. Special frequency response microphones (such as PG58, SM58R, Beta 58A) can penetrate the mix without adjusting the mixer.
Flat frequency response microphones (eg PG81, KSM137) are a better choice if you do not want to change or modify the sound and only want to reproduce the sound source. Most of the studios use flat frequency response microphones.

UV Resistant Membrane Switch

Many of the user interface products designed and manufactured by CSI will eventually live in extremely harsh environments. Some being exposed to UV exposure from the sun for days, months or even years at a time. Luckily, there are methods to protect the keypad from the effects of the sun. One of these methods is using a UV Resistant Coating.

A UV resistant coating is typically applied to the keys. The coating is glossy in appearance and looks very similar to epoxy coatings that were once used on membrane switches. The major difference between the UV resistant coating and the epoxy coating however, is that the epoxy was not durable. Over time, the epoxy not only became embrittled but it tended to discolor and yellow.

The UV resistant coating is designed with special barrier resins and compounds that are activated with ultraviolet light. Once activated, they prevent any damage from occurring to the coating or the base material of the keypad.

The UV resistant material`s [glossy-like" look also enhances the appearance of keypads. The glossy and clean look of the material really makes the product snap and stand out. Between the UV resistant benefits and the enhanced aesthetics, using the UV coating is really a no-brainer when designing a keypad that is going to be used outdoors.

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